Book Review of The Lions of Fifth Avenue by Fiona Davis

This historical fiction novel has two timelines: one in 1913-14 New York City and one in 1993 New York City. In 1913, Laura Lyons lives with her husband Jack, her son Henry, and her daughter Pearl above the New York City Public Library where Jack works. Though she cares about her children and her husband, Laura finds herself wanting more out of her life. She pursues a degree at Columbia University’s journalism school even though her professors won’t let female students write about serious topics.

In 1993, Sadie Donovan works as the curator for the New York Public Library’s Berg Collection. The Berg Collection consists of rare manuscripts and other items that belonged to famous authors. Sadie is Laura Lyons’s granddaughter but her mother Pearl never talks about living at the library. Through Sadie we learn that her grandmother became a famous essayist, and Sadie is looking for more material on Laura Lyons to include in an exhibition of the Berg Collection.

Both timelines have a string of rare book thefts in common. The New York Public Library’s Fifth Avenue location doesn’t lend out books to patrons, so only a few people can access its books at any time.

Fiona Davis introduces the reader to some of the library’s most precious objects through the thefts. During the 1913-14 timeline, a first edition of Walt Whitman’s Leaves of Grass goes missing, along with Tamerlane by Edgar Allan Poe. In 1993, the last volume of Virginia Woolf’s diaries as well as a first edition of The Scarlet Letter by Nathaniel Hawthorne disappear.  

As the mystery behind the thefts continues, Fiona Davis shows what it meant to be an independent woman in 1913 and in 1993.

A friend encourages Laura to join the Heterodoxy Club, a real women’s club that met every other week in Greenwich Village. The club embraced some ideas that were radical for the time, such as access to birth control for women. Laura notes that the women’s “stories were so varied, the family origins fascinating…yet somehow they’d all ended up in this one place, united not for a common cause, but simply to be able to speak their minds freely without the disapproval of husbands and fathers.” Laura has to decide how she will balance her desire for independence with the responsibilities of having a family.

Sadie is living the independent life that Laura dreams of. Instead of her husband working at the library, Sadie holds the prestigious position of curator of the Berg Collection. She is divorced with no children, though she has a beloved niece. She has more free time than Laura to devote to the library thefts and works with a private investigator to try and recover the lost items.

Although the dual timeline has been somewhat overdone in recent historical novels, it felt natural for Laura and Sadie’s stories to be connected because they were close family members. Much of the book is difficult to discuss without spoilers. The mystery of the thefts was well done, especially since Davis is not a mystery writer. Some of the characters’ actions, particularly in the Laura Lyons timeline, felt sudden. Certain topics like suicide should be treated with more care or not included at all.

My favorite parts of the book centered around the New York City Public Library’s books and other rare objects. While the author’s note makes it clear that Laura Lyons and her family are fictional, the Berg Collection is real. I highly recommend looking up the collection online. I’ve included more information about the collection and a video of its rare objects below.

Overall, I enjoyed The Lions of Fifth Avenue and will likely read more books by Fiona Davis.    

https://www.newyorker.com/video/watch/the-odd-objects-found-in-a-public-library

https://www.nypl.org/about/divisions/berg-collection-english-and-american-literature

Passing by Nella Larsen: An Unforgettable Novella about Race

When I heard that a movie adaptation of Nella Larsen’s Passing was coming to Netflix on November 10, 2021, I had to share my review of the 1929 novella. I also had a rare urge to acquire a Netflix subscription.

Irene Redfield and Clare Kendry are two light-skinned African-American women who played together as children in Chicago. They are so light skinned that one of them–Clare–decided to pass as white. Clare got what she thought she wanted: marriage to a wealthy white man, a seemingly white daughter, and the status conferred upon attractive and successful white people in American society.

Yet as the novel opens, Irene has just received a letter from Clare, begging Irene to reintroduce her to African American friends and to attend their social gatherings. She reminds Irene of the time they ran into each other in Chicago as adults. When they meet, Clare invites Irene back to her hotel where she introduces Irene to her husband Jack Bellow. Bellow makes his hatred for all African Americans clear, even jokingly calling his wife Nig because of how brown her skin gets in the sun.

Book Cover

Though she doesn’t give Clare’s secret away, Irene is appalled by the encounter. Irene is married to a darker skinned man and one of her two children would also not pass for white. She decides not to answer Clare’s most recent letter and tears it up. But Clare reappears in Irene’s life, coaxing Irene to help her renter African American society. Both Clare’s and Irene’s reactions to this second encounter have consequences for them both.

I thought I read the complete novella in college but when I reached the ending I realized I had only read part of it. I won’t discuss the ending, except to say that it is both brilliant and surprising. I read Passing months ago and still can’t stop thinking about it.

Larsen’s story shows the advantages of passing as white along with the disadvantages. Clare has more status as a perceived white woman, but Irene is her authentic self and remains part of black culture and society.

Nella Larsen is an underrated author who dealt with issues of identity that continue to effect the African American community in the 21st century. I hope that the new movie will encourage more people to read Larsen’s work.

Book Review of The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid

Evelyn Hugo, one of the biggest movie stars of all time, has decided at the age of 79 that she wants someone to tell her life story. The person she chooses for this task is Monique Grant, who has been working for Vivant magazine for less than a year and mostly writing puff pieces. Monique is ambitious–nearly as ambitious as Evelyn was during her career, so she negotiates what she thinks are the best possible terms for the book with Evelyn. Since Evelyn Hugo’s seven husbands are now dead, Monique hopes to find out which one was the love of Evelyn’s life. Though she gets the answer to her question, she also finds out why Evelyn Hugo, Hollywood icon, specifically wanted Monique to interview her.

After the first few chapters, the sections of the book Reid is writing are set up in order of Evelyn’s seven husbands. As a Cuban immigrant, Evelyn Hugo’s mother believed that the way out of the family’s poverty involved becoming a movie star. So when Evelyn’s mother died and her father abused her, Evelyn decided to use her good looks to get a ride with a guy in her neighborhood who was going to Hollywood. At age 15, she married him and worked at getting small and then bigger parts in movies in the 1950s.

The Seven Husbands of Evelyn Hugo has been on my to be read list for a while now and I regret not getting to it sooner. It has great representation–Monique is bi-racial, Evelyn is Cuban American, and there are LGBTQ characters. I marveled at how far LGBTQ rights have come in the years since the fictional Evelyn worked in Hollywood. First of all, the term LGBTQ didn’t exist, and secondly these people had no rights. If they had careers they risked being fired if anyone found out. They also risked getting arrested or being sent to a mental institution simply because of who they loved.

Evelyn’s character is at the center of the book and before I picked it up I assumed she would be shallow. She certainly was unconcerned about who she hurt on her way to becoming famous. If she truly cared about someone, however, she was fiercely loyal. For those people she tried to do the right things, even if she sometimes failed. She also gained some wisdom with age, and I enjoy stories in which the main character grows. As Monique says toward the end of the novel, “I hate Evelyn, but I think I like her very much.”

Another thing I enjoyed about the book were the similarities between Evelyn and Monique. Both are ambitious women who for different reasons don’t quite fit into society’s expectations. Spending time with Evelyn changes Monique in significant ways, some negative, some positive. I found myself caring deeply about both of these women. Sometimes I almost forgot that Evelyn Hugo didn’t really exist because of the tabloid and newspaper articles sprinkled throughout the book.

I gave 5/5 stars to The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid. If you enjoyed this review, please visit my podcast website https://www.whatheatherisreading.com for more great book reviews. Episodes of What Heather Is Reading are also available wherever you get your podcasts.

Trigger warnings for domestic violence, homophobia, cancer, and alcoholism.

The Childhood of Louisa May Alcott

Louisa May Alcott is famous for her children’s novels, especially Little Women. Without certain events in her childhood, however, Louisa might not have become a writer.

Louisa May Alcott was born in Germantown, Pennsylvania in 1832. Her father, Bronson Alcott, was headmaster of a school there, but left when the school’s patron died. He founded another school in Boston, Massachusetts. The family moved several more times due to Bronson’s inability to support his growing family. Louisa had an older sister named Anna and two younger sisters, Elizabeth and May. After Bronson’s failure to make money from a communal living experiment in 1843, he had a nervous breakdown. Louisa’s mother Abigail took charge of the family and taught her girls to work from a young age.

As soon as young Anna and Louisa could safely hold needles, they helped their mother with her work. In addition to sewing for neighbors, Abigail also become one of Boston’s first social workers. Food was often scarce and the Alcott family ate many meals of vegetables and apples.

Louisa_May_Alcott_headshot

Louisa May Alcott at age 20

Despite being poor, Louisa Alcott’s childhood was not entirely gloomy. As a toddler, Louisa played with her father’s books and scribbled on any blank pages she could find. Louisa said since she was little “books have been my greatest comfort, and scribbling a very profitable amusement.” When her father had a school, Louisa went there, and afterward had lessons at home. She disliked math and grammar but enjoyed reading, composition, and history. Even tasks like sewing were more enjoyable because Louisa’s mother read stories to the children as they worked.

Bronson Alcott was a friend of writer Ralph Waldo Emerson, and the family lived near him for a time. Louisa relished the opportunity to browse Emerson’s library. Her favorite books included Pilgrim’s Progress, fairy tales, and she read Charles Dickens and the Bronte sisters. When she grew older, Louisa tutored Emerson’s daughters and made up stories for them.

Abigail Alcott encouraged her daughters to journal to express their feelings. She thought it would help them work through some of the frustrations of having little money and moving frequently. When she noticed that Louisa enjoyed writing even more than the others, she supported her daughter’s interest. On Louisa’s tenth birthday her mother wrote, “I give you the pencil-case I promised, for I observe that you are fond of writing, and wish to encourage the habit.” At age thirteen Louisa was writing stories in addition to journaling. She dreamed of becoming a famous author so her mother wouldn’t have to worry about money any more.

Some of Louisa’s early stories appeared in the Saturday Evening Gazette under the pseudonym Flora Fairfield. Louisa was encouraged by the fact that her stories made some money, even if it was a small amount. In 1854, Louisa May Alcott’s first book, Flower Fables, was published. It was a collection of short stories she wrote for Emerson’s daughters. From these small beginnings, Louisa financially supported her parents and sisters by writing books.

Sources:

The World of Louisa May Alcott by William Anderson.

Marmee and Louisa: The Untold Story of Louisa May Alcott and Her Mother by Eve LaPlante.

Louisa May Alcott by Ruth K. MacDonald.